Autumn, 1968. Nadia, a young woman with strict views on life, a methodologist at the regional House of Culture, goes to the cinema with her friend Sasha. The premiere of the film "Three Poplars on Ivy" took place in their city. Suddenly it turns out that there are no tickets, and you can only buy one with your hands.

A high school girl encounters a rabbit like creature who sends her back in time.

The movie stars you see on the screen have once been selected amongst others. The glamor of the premiere is preceded by mug shots, selections, interviews, wining, dining, backstabbing and sex. In the end, everyone gets what they deserve.

Genghis Khan's favorite grandson, Batu investigates the mystery of his father's death. Uncovering a conspiracy in his own family, he creates a powerful empire to administer justice against the culprits.

Sethunath is a successful writer who reveals to journalist Aneesa his love for a girl called Priya and his inability to marry her.

Far East. 70th years. A small garrison on the border with China. Here, as everywhere, there are men and women. Everyone has his own story, his own destiny, his own love. The common thing is that they all came here once on duty and stayed for a long time. Marina Goloshchekina is nice, kind, right. Galya The tourniquet is intelligent, passionate, determined. Albina Raven - extravagant, unpredictable, thin. Three friends, three sisters in happiness and misfortune, officers' wives. They help each other stand in this completely feminine world, where every man has a gun! And this means that love and danger go hand in hand. Marina quite unexpectedly meets her true love of the young officer Ivan Stolbov. Learn about this new secret love girlfriend. On the one hand, you can rejoice over Marina. But how can she rejoice herself, if behind five years of marriage with a strong, strong-willed and very unpredictable Nikita Goloshchekin?

Book editor Max Normane can perfect anyone’s story apart from her own. Highly successful but highly single, she comes up with a novel plan: a publication in exchange for a sperm donation. But will she get her happy ending?

Raito Noberu no Tanoshii Kakikata (The Fun Way To Write a Light Novel) is a Japanese film based on the Toru Honda novel of the same name. It tells the story of student Yakumo Atae, who discovers that his classmate Tsurugi Yabusame is writer. After publishing her first light novel, Tsurugi is experiencing writer's block and Yakumo is enlisted to help get her writing again.

A transitional film at the end of his first decade of filmmaking, James Benning’s Grand Opera introduces a degree of storytelling to his previously more formalist devices. Benning calls the film his “first attempt at writing my own kind of history” and, in a sense, it also serves to write himself into history, acutely measuring his place as a Midwestern experimental filmmaker, then based in Oklahoma, in relationship to the avant-garde scene situated in New York. The film thus features homages to the prominent experimental cinema of the time, including a spoof of Wavelength, as well as cameos from Michael Snow, Hollis Frampton and Yvonne Rainer. Woven with these sequences are other characteristic Benning gambits – a compilation of every house he ever lived in, a preoccupation with the history of Pi, and the looming threat that a building will explode.

Romance novelist Liam Bradley (Dylan Bruce) has already found massive success with three books written under the pen name Gabriel August, but he's mysteriously unknown to his legions of readers. With his first book written as a way to heal after a broken relationship, Liam has slowly become disheartened with writing strictly for romantic fantasy, something evident to a sweet, but honest, journalist who reviews books, Sophie Atkinson (Amy Acker), whom he meets by chance on a plane. The two begin a tentative relationship in Sophie’s home town of Portland, Oregon, where Liam has come to find inspiration for his newest entry. Liam’s agent puts him on the spot with a long-planned reveal of Gabriel August’s true identity, but Sophie doesn’t know of his public persona. The longer Liam avoids telling her the truth, the deeper a hole he digs for himself. Will their romance survive once his true identity comes to light?